Behind the Illustration: Strings Attached

38 hours
14" x 17" (A3)

This is a veryveryvery personal piece and it symbolizes my journey in between childhood and adulthood. I think I broke down in a weeping mess at least 3 times today trying to write this up. So here we go...

The things we experience in childhood, both good and bad, will follow you through adulthood. It plays a role in the person you become and how you approach life. They say that time heals. Such a bold and false statement.

Time only allows you to dig a deeper grave to bury things. Sometimes they still resurface and just like the first time, it hurts just as bad. Each time, every time. Until you find enough strength to find just enough crumbles of yourself to duct tape, hot glue, whatever you can do, so you can dig that grave again to rebury it all.

The cycle doesn't end, you just learn to live with it. But if I'm being truly honest, I wouldn't change a damn thing knowing what I know now. I wouldn't be the person I am today and I can't possibly think of anyone else I'd rather be than myself.

What a great way to start 2023, right? As my friend Noy said, a homage to my hands-- that will go through surgery soon for Carpal Tunnel Syndrome. I've been a hand obsessist ever since I was diagnosed. It may just be my thing now to have a hand in every illustration. This piece turned out way better than I could have ever envisioned that I was just overwhelmed with so much emotion and joy. This is the first time I've ever felt this way about a drawing where it was better than I could have imagined. Cheers!

Drawing versus Inspiration:

Drawings from 2005 and 2009 with strings to compare to. I’m aware that I misspelled pendulum haha…

Behind the Illustrations 2022

Eye of the Beholder (charcoal drawing)

16 hours
14" × 17" (A3)

This is a very personal piece and it's the perfect concept for my first illustration in years. Each hand represents abuse, tragedy, and/or trauma that I've experienced and carried with me until this very day. Even though the hands seem almost tender and embracing, they're very overwhelming and suffocating at times. But I've come to accept them and will not let them define me. I get to define me. I get to choose how to live my life.

This is why we should always be kind to one another. You just never know what a person is struggling internally regardless of what their Tweet says, their Instragram shows, their Tiktok portrays. Also you never know what a person is capable of. They could be the next Hitler or Ted Bundy, but what if they are the next Mozart? Or Da Vinci or Einstein?

I would like to finally start transitioning into illustrations and away from portraits. I'll still do portraits here and there, but they won't be the bulk of my drawings any longer. I realize I may lose some of my followers and the subjects of my illustrations are going to get even darker from here on out. I will not get offended nor upset if you choose to not follow my journey. I totally get it.

For those of you who have known me since my younger years as an artist, this is not new. I used to do very dark subjects, but I was not very good at it hahaha... I started doing portraits to help establish my own technique and sharpen my skills so that one day, I can become an illustrator. Today is the day for a new beginning.

Thank you everyone for all the love and support for all of these years. It's been 18 years since I started drawing in 2004 and I don't know where I'd be without any of it. If I could choose to start over, I wouldn't change a single thing. Each hand has helped move me to become who I am today. That is the silver lining.

Drawing versus Inspiration:

The pose from the 2022 drawing was actually from a self portrait photo taken in 2006. It is my husband’s favorite photo of me.


Heavy Lies the Head (charcoal drawing)

... that wears the crown.
12 hours
14" x 17" (A3)

OMG can you guys believe this is my 3rd drawing I've completed this year??!!!! Though one of them was mostly finished that I started 2 years ago, I'm stilling counting it as 3 this year haha...

I've been obsessed with hands lately, especially since I was diagnosed with carpal tunnel syndrome. As I inch closer to needing surgery, I'm trying my best not to panic. I worry all the time that I will overwork and injure my hands and wrists with each completed art piece. I reallyreallyreally need my hands. I can't imagine not being able to ever do art again. My friends joke that I would always find a way even if I have to use my feet to draw haha... They ain't wrong!

Hands are so challenging to render especially realistically. It's been said to be the hardest body part to draw, I don't disagree. I can use the practice so maybe you'll see more hand drawings from me... or maybe not? I guess you'll have to wait and see.

I think my most proudest piece for 2022 is the least favorite piece, this one haha... I do understand my art is not for everyone and I'm okay with that. I think I accidentally achieved something that I've been aiming for with my art on this drawing somehow.

I've always wanted to create art that is open-ended without any obvious meaning. I want the style to be drastic, but the message more subtle. I feel like I did that here. I even left the description vague on purpose. I feel like the viewer should be able to insert their own story and make themselves a part of the piece, finding more meaning to each and their own.

Is it a he or she? Is the crown of hands reaching higher or holding them down? Are they finding the light or succumbing to the darkness? I don't know, you tell me.

Drawing versus Inspiration:

The shading from the 2022 drawing was taken from an older drawing done in 2004.


Paper Thin (charcoal drawing)

19 hours
14" x 17" (A3)

Having paper thin skin can be rough. I feel like it's so easy to take things personal even when it was not meant to be. I'm such an emotional person no matter how logical I try to be. If it weren't for having such a high emotional response to everything, I don't think I'd be an artist today though.

The grasping hands inside the chest represents the many heartbreaks, betrayals, suffering, and even agony. The more pain being inflicted, the tighter those hands will grip around your heart. You close yourself more and more each time until you can't squeeze anymore. Then what?

You find yourself harden, cold, and isolated. You loosen it up for each person that earns your love, respect, trust, and loyalty. You tend to bend over backwards for them. But it's always those you love the most that hurt you the hardest bringing you to your knees. Love hard, hurt hard. It's just a game of squeezing and easing the tension. Don't let the bad apples stop you from loving because the good ones are so worth every ounce of your love.

I played with this idea for months, so much that I almost gave up on it haha... My 4th drawing for the year!!! That is monumental for me! I may start on a new drawing before the end of the year or just take a break. I haven't decided yet?

Drawing versus Inspiration:

The 2022 drawing was taken from 2 separate drawings. The pose from a drawing from 2008. Then the open chest is from a remake drawing done in 2010, its original drawing was 2005.

That's a Wrap, 2022!

In 2022:

  • Got a huge promotion at work

  • Straightened my curls for the first time in 5 years

  • Caught COVID once for the first time

  • First MLB Giants game

  • 2 concerts and 1 huge emo festival

  • Drew 4 charcoal drawings

  • Made, sold and gifted 26 boxes

  • 9 photoshoots

I didn’t do as much traveling for 2022, but still had some memorable moments. Like SiM from Japan playing their very first headline show in LA. Saw LiL Lotus for the first time and my first emo rap concert! Then WWWY (When We Were Young) Fest just really ignited the inner youth for us elder emo’s. All were amazing and reminded me how much I enjoy live concerts. I had planned to attend Blare Fest in 2023 again, but coldrain was slacking off on promoting and marketing. They waited too long to make official announcements while flight tickets doubled within a month. With Japan’s lottery ticketing system, I’m just not guaranteed a concert ticket so I can’t book flights and rooms until I know I have a ticket. I would not visit Japan in the dead of winter for leisure. It’s really cold there, too cold for this Cali girl.

Instead, I’ll be doing a Germany, France, and Switzerland trip for 3 weeks in May with my husband to do some sightseeing, visiting friends, and ending the trip at RAR (Rock Am Ring) Fest in Germany. I’m excited to see Finch, my first favorite rock band in 2002 that made me emo. I never got to see them perform live so this is a great opportunity. Some of my favorite emo rappers will also be there like Nothing,Nowhere. I’m very excited! After seeing LiL Lotus, I have to check out more emo rappers live! I get to rock out with my German friends and finally have a real vacation in years with my second favorite person in the world, my husband Chance (only barely second after my son, Isaac, being my most favorite haha).

Here’s to new adventures in 2023! Cheers!

P.S. Sharing some extra photos from 2022.

Blare Fest 2020 in Nagoya, Japan

Blare Fest 2020 hosted by coldrain was on February 1-2, 2020. I wanted to take a little time to marinate in the experience and memories of that legendary weekend. Everyone knows that coldrain from Japan is my favorite band and I would take every opportunity I can to see them perform live if I’m allowed to financially and by availability. They announced that they will be doing a huge festival for 2020 inviting over 30 bands from around the world. Among those bands they’ve invited 4 of my other favorite bands: Survive Said the Prophet (SSTP), Noisemaker, Silence iz Mine (SiM), and Crystal Lake. That has never happened before where all 5 of my favorite bands performed in the same event. This was the first time and I knew I had to be there at any cost.

First, I had to convince my husband haha! I had a whole speech prepared about how hard I work each day, how much these bands inspire me, how much I needed some time off away from my daily life, I saved my bonus check from work plus taking on commissions so I have some side money saved, and just how much this would mean to me. Plus he gets to visit Japan again with me!

In November, I asked him casually what are the odds of us visiting Japan again say, February? He said close to not happening. So I explained that Blare Fest was happening and that all 5 of my favorite bands will be there and that has never happened before and I had promised myself that if all 5 bands played in one event that I will do everything in my power to go see them and and and… yep, a run-on-mile-long sentence without breathing. His response was okay, but you might have to go alone. WAIT WHAT??!! That’s it??? He said he knew how much my bands meant to me so yes, I can go. It’s tax and auditing season with year-end at his work so it was basically impossible for him to get the time off (he’s an accountant).

And that’s what I love so much about my husband. Even though we are so different on so many levels, we have been together since 2005 raising a really defiant 13 year old teenager with autism. Chance may not understand 75% of my choices or even my train of thoughts, but he gets me 100%. He doesn’t understand why I have to collect a garage full of random boxes or why I’m so gravitated to these bands, but he gets that they make me happy. My life would be just as cold and empty as those collected boxes piled up in my garage without this man.

Meanwhile, I had already been working on Noisemaker’s first gift before I even decided on going to Blare Fest. I was so inspired by their new single’s music video called Major-Minor. I wanted to create something as a small tribute which ended up turning into a massive tribute to Major-Minor. One pop up card turned into a suitcase filled with 8 pop up cards and 1 explosion box. All the while, I had no idea how I would ever give it to them? Then when they announced they were joining Blare Fest, I knew this would be the perfect opportunity to give them their gifts and see them perform once again. I had extended the gift making to creating separate suitcases of goodies for coldrain and SSTP (since I have an unofficial tradition of always giving them a handmade gift whenever I see them perform). Which included another separate suitcase for Noisemaker as well hahaha…

It was actually super stressful most of the trip. I had planned on being there just for the festival for that weekend since Chance was not coming with me. I wanted to save the touristy stuff for when I’m with my husband so we can saturate all of it together. Plus I remembered how cold it was in Japan in February from the previous visit. I was not about to be roaming around in freezing temperatures alone around town getting lost. Not this sunny, Cali girl.

Luckily my friend, Denise from Germany, was meeting me the first day I arrived which was Friday, January 31st. Even upon my arrival at the train station, I was lost AF! I had 2 very heavy luggage hauling between trains and across stations, I had a very loose, flowy blouse on that kept blowing up by the wind so I was giving Nagoya a free public show of my boobs, and I had my phone in between my index finger and thumb trying to navigate through Google Maps while the other 3 fingers were holding onto one of my luggage handles. I needed 7 hands and whatever I’m doing just ain’t working! I basically had to stay put and let Denise find me because I was failing on every level hahaha!

We made a day out of Friday going shopping and eating. Walked around a bit and checked out some of the local shops and buildings. We were both so tired from our travels, but managed to find the energy to go do some things together and had fun. I consider Denise one of my closest friends regardless of where we live so I was really happy to have spent that day with her. We got back to our apartment and started unpacking a bit and exchanged our gifts for each other. Started filling out cards for our bands and packed up their gifts for transporting to the festival the next day and called it a night.

The next morning on Saturday we were up early, but still really tired. We checked Instagram to see any posts of people in line and there was a really long line already forming at 7:00 AM even though doors opened at 9:00 AM. We were like fuck it! Take our time. There wasn’t really any band we had to see that morning anyway. We got ready and headed to the train station. As we arrived at the train station I realized I had forgotten my wallet, passport, and everything back at the apartment. Had to walk back 3 blocks to go get it. Caught the train and rolled into Blare Fest fashionably late with no line at like after noon’ish haha!

First we went to the merch table so we can hand over coldrain’s gifts. SSTP and Noisemaker weren’t there until Sunday so at least we only had coldrain to handle on Saturday. The merch sales people said that coldrain was not accepting gifts that day! WTF! So we go into panic mode! We asked the security guys if they can help us and they tried. Had a guy walk to the back to check for us and everything. Then one suggested we go talk to someone at the information booth by the food court. Meanwhile, Denise is desperately messaging Dajo, coldrain’s videographer who happens to be from Germany as well, hoping we can have him give the gifts to coldrain for us. So we headed towards the food court across the venue and as we are about to walk through the doors, Dajo walks right out the door coming towards our direction!!!! If there were ever to be a moment in my life where I would believe in fate or even god, it would have been that very moment. Denise caught his attention and explained everything in German— me: standing there useless having no idea what’s happening per usual haha… and he was kind enough to take the gifts to hand over to coldrain. We rejoiced in so much happiness and even had to take a moment to let it sink in. Success!

We spent the rest of our day checking out various bands even having to miss part of a set to see another band, like we had to leave a few songs into Crystal Lake’s set so we have a spot to see coldrain perform after. I was sad about that because it was my first time seeing Crystal Lake, but they just announced a world tour and I’ll be seeing them again on April 4th! I no longer feel so bad now.

Coldrain’s performance on Saturday night was truly superb in all of its glory. It was everything I had hoped for and have been yearning for. I hadn’t seen them since their Budokan concert almost 2 years ago exactly, just shy of 5 days. No words can describe how happy I was at that very moment. I can’t even remember the hustle and bustle going back home that night because I was seriously floating on cloud 9 the rest of the night. I had an emotional goodbye with Denise at the train station where we parted ways once again for the 3rd time since we’ve met. She was heading back to Tokyo to fly home Sunday morning and I was heading towards the subway to get back to the rented apartment.

I knew the next day I have to be up early because SSTP was performing first and I want to drop off their gift and Noisemaker’s gift before their set started. Finished packing their gifts for the next day, made sure I had my wallet this time haha! Went to bed at like 11:00 PM. Woke up to the sound of my alarm at 5:30 AM, got up, got ready, and I setup Uber to pick me up by 7:00 AM. Well, got lost on the way over there. Apparently Port Messe is huge and the driver did not speak English at all. I had spotted a group of kids wearing black and I said follow the kids in black! I was right… they were heading towards the venue.

The line was light years long! Even right before 8:00 AM it was insane. They had a separate line for those with 2 day pass bracelets like I did. I couldn’t read the Japanese signs, but followed a bunch of kids with the same colored bracelets hahaha… it worked once again. We were in line for an hour after doors had opened. I get in and I’m like okay, merch booths first to hand over the gifts. I had a tote bag with Noisemaker’s and SSTP’s was inside my backpack. Of course, there was a long line at both booths. The Blare Fest official merch had sold out except for wristbands on Saturday so I knew if I wasn’t there early for that line, it would sell out again Sunday. So all 3 lines were long and I had to choose 1. I chose Noisemaker because theirs was the biggest gifts and I was actually holding it in my hand. At least SSTP’s was inside my backpack.

I waited in line for Noisemaker for almost an hour. The clock is being stalked like a hawk (like that rhyming game?) because SSTP was performing first at 11:00 AM! I get to the merch booth and the young guy did not speak English very well, but understood well enough. I explained it and typed it into my Google Translator for assurance. He said he understood and can help. So I handed him over Noisemaker’s gift with as much courage and trust I can possibly stomach at that very moment. I felt a small droplet of tear welling up and I pushed it back like nope, not right now! You got shit to handle!! Bought my Noisemaker merch, shoved them inside my backpack and the clock said I had 20 minutes to head over to the other side of the campus to get to the dome where SSTP will be performing.

I get there and I hadn’t seen how it looked like inside the dome before noon. It was absolutely breathtaking! There was a hexagonal shaped opening on the ceiling of the dome where sunlight shined through like curtains floating over the crowd. It looked almost divine. I was so tired and stressed from my travels across the ocean, from Saturday’s all day events. My bones ached from the chilled, frozen air that felt like daggers when I breathe, me coming from mostly sunny California where it does not snow. My feet ached from all the walking and standing on concrete for the last 2 days. My body was sore from jumping, headbanging, rocking out dancing, and probably beating up a few kids around me. My throat hurt from screaming, singing, laughing, crying. In that moment, I felt at home. Bathed in sunlight, in front of an empty stage waving the banner of one my most favorite bands that truly inspire me, encircled by like-minded individuals sharing the same love for music, anticipating the lights to drop and our boys to hit the stage. It felt like home.

The moment SSTP stepped on stage, they were a force that sent shock waves across the venue. I have goosebumps right now as I’m typing this. These guys are going to take over the world, mark my words. This is the second time I’ve seen them perform from nearly 2 years ago and I can tell what a huge growth they’ve made since then. I’m so proud of them! I hope the world is ready for them because they’re coming with full throttle.

Next band to see on my list was Noisemaker. I actually saw SSTP and Noisemaker perform together 3 days after coldrain’s Budokan concert. It was such an amazing week to be able to see my top 3 bands within days of each other. Although, I hadn’t known Noisemaker yet at the time. I didn’t fully appreciate them. In fact, it took many months of Denise trying to convince me to get into them hahaha… little did I know they would have kicked down so many bands to make it to my top 3 within months. Once I was in, I was completely devoured. So essentially this would be more like the first time for me to see Noisemaker fully devoted as a fan. I came equipped knowing their songs (except for some Japanese parts which I just make up half of it) and ready to just lose my mind.

But first, I have to give SSTP’s gift over at their merch booth. I have 1 1/2 hour until Noisemaker’s set. I walk over to SSTP’s merch booth and oh dear god, their line is like 4 times longer than the hour wait line I had with Noisemaker earlier! So I kind of freaked out, again! I thought better of it and there’s no way I was going to miss Noisemaker’s set. Nope, not today satan. So I went to the Cloak Check area, checked in SSTP’s gift and my jacket. I decided to head to Noisemaker’s stage and watch their performance, then come back to retrieve SSTP’s gift then hand it over afterwards. Perfect!

I waited through the ending of a band’s set, then through another band’s full set, Good 4 Nothing. And they were really fun! I enjoyed myself. Then Noisemaker was up next and setting up their own equipment. I hadn’t remembered that the first time. I see all the guys that I admire and look up to walking around on stage casually setting up their instruments. Why am I even surprised? They are such a DIY band which I highly respect. I see AG walking out doing his own mic check. Then they started playing and I wasn’t even ready! Like wait! It’s happening NOW??!! I was feeling very emotional until AG commanded us all to jump— didn’t have time to cry like a baby so I was jumping away. Then they stopped playing and left the stage. Wait what??!!! What is happening? I started looking around kind of freaking out and everyone was just chilling at ease. I’m like okay, do they know something I do not? Did someone tell AG that I’m here? Did he runaway from me again? (if you don’t know the story, AG ran away from me the first time we saw each other) I pulled out the program booklet and saw that they weren’t up for their set for another 8 minutes! The song was just to mic check and check their instruments. How cool is that? Get a free pre-show song.

They came back out and the floor is packed like a can of sardines. They blew my mind! They have like this swag, cool vibe to them that I don’t really see in other bands. They experiment with their sound a lot and I can’t even name another band that sounds anything like them. They do it just right and just enough to where it doesn’t sound overwhelming or a weird clash of noises (like Crossfaith, yeah I just dissed them, so what?). I was over the moon and utterly sad when they played To Live is. I got really emotional because of the depth of the song and I knew it would be their last song.

For some reason, I relate to Noisemaker so much more than my other bands. They are artists creating their own things, they are very expressive, astronomy geeks haha, and they write about things I know and have felt too often in my life. This is Me is probably my favorite track by them because I relate to it on every aspect. Being different and not knowing how to handle it. You try so hard to just fit in and be accepted. Along the way you just lose yourself until you’ve hit the lowest point in your life. One day you stomach enough courage to claw your way out of the self buried grave only to try to find yourself again. Once found, there’s no stopping you. I know we are different. All my mistakes I wear them proud. This is Me. Just one life.

And it’s my life.

After Noisemaker’s set, I rush back to Cloak Check to retrieve my things. I walk passed SSTP’s booth and it’s completely empty! No one was there! Sheer panic start to set in for the billionth time this weekend! I pace back and forth like WTF am I going to do?! I still have their gift! I took a moment to lean up against the wall to just anchor myself enough to calm the hell down before I start crying again. Then I remembered the information booth! I rush across the venue to the food court to look for the information booth. There were 3 young ladies and only 1 knew enough English. As I am in a panic, I start blurting out everything super fast! Poor girl with eyes wide like okay, okay, okay, slow down please hahaha! So I put in Google Translator to explain about SSTP and how I have a gift for them and she said she can give it to them for me! OMG!!! Yes!!! So I rush back to Cloak Check to retrieve the gift and my jacket then rushed my way back. I hand it over to the young lady and she looked into it and saw that there was a card and suitcase. She asked if I wanted to write a note? And I was trying to explain to her that there’s already a note inside the card. So I grabbed the card out of the bag to open it and show her there was already a note and I glanced down at the suitcase and saw “cr” logo embossed on the suitcase! OHHHH NOOOOOOOO!!!! This is coldrain’s suitcase that should have been given to Dajo yesterday! OMG! I gave Dajo SSTP’s suitcase instead! My anxiety is through the roof!

How did I let this happen???!!! She was kind of enough to give me a pen and sticky notes so I basically wrote to coldrain to swap suitcases with SSTP and wrote the same thing to SSTP to swap suitcases with coldrain. Did this get all figured out? I have no idea until this day. I honestly believe that they didn’t even receive their gifts at all.

After all that, I needed some air. I walked outside to sit at a bench and take a breather. It was so chilly outside but felt so good against my rosy, feverish cheeks from all the mishaps and adventures I’ve had. I wasn’t even hungry. My tummy was in knots and I was glad I was alone to be able to collect myself on my own terms. I messaged Chance for a little bit, I needed just that familiarity to feel at ease again. I’m not sure how long I sat there for. Before I got up to proceed with my adventure, I happened to check Twitter and saw that SSTP tweeted that they were ending merch sales at 1:30 PM. Noisemaker’s set started at 1:20 PM so there was no way I would have known unless I checked Twitter right before Noisemaker’s set.

I finally got up to head over to the dome because I knew SiM would be playing soon. I stand at the back this time because I still needed that breathing room and just watched the monitors. SiM is such a fun band! They have so much energy on stage and the crowd loves them! They love doing their little dances and stuff with the crowd. It’s very cute and fun! It was my first time seeing them and they were the second Jrock band I got into after coldrain so it was really special to me. I did linger around a little bit after they played still soaking it up as they dismantled their set and their banner came flying down.

I knew I had to eat soon because I hadn’t eaten all day and I’ve been running around like a mad woman all day long and it’s now almost 4:30 PM. I knew One Ok Rock will be playing soon. I do not care for this band, I repeat, I do not give 2 shits about this band! But for some god awful reason, they are so popular. So I knew that if I timed it just right, the food court will be a wasteland. I was right. I walk into the food court and it was completely empty saved for like maybe 25 other people. I’m like yeahhh! You’re my kind of people. No lines for food and any table of my choosing to sit in all to myself. It was the quietest moment I’ve had since I’ve flown out of California. Plus the stage next to the food court was in between sets so no music playing for a good 10 minutes. I took my time to recharge and reboot myself for Pay Money to My Pain (PTP) and coldrain’s set. They were the last 2 I needed to see to end my night.

PTP though… it was so beautiful and so heart wrenching. If you don’t know them, their singer Kei died at the age of 31 a few years back due to heart failure. He was my age by a few months older. He was praised and revered in the Jrock scene so it was very devastating to fans and other bands alike. Singers from other bands took turns singing the songs. My favorite PTP song is Pictures and I was elated to learn that Yosh from SSTP and AG from Noisemaker sang that song together. Some of my favorite vocalists singing my favorite song. It ached my heart so much both painfully and joyfully. Is that even possible? Never in a million years did I think I’d get to see that song performed live and it happened. A true historical moment.

Now for the finale, coldrain. Oh, coldrain… it pains me to even have to write this part. I’ll be honest and express my truest feelings for that night. I was really hurt and disappointed. It took them an hour to get on stage. They were late for a full hour for a festival they were hosting and not to mention they’ve been there all day! How? We stood there in the quiet dark, tired and sore AF, just waiting. My feet were to the point of screaming out of my shoes because they hurt so much. If I hadn’t been training to run my 10 miles for the last 2 months, there’s no way I would have survived this trip. Even with my training, I was in agony. It got so uncomfortable and confusing that even other band members came on stage to kill time by telling jokes and clowning around on stage. I had no idea what they were saying, but Mah from SiM, a couple of members from Crossfaith, Igari from Hey Smith, a couple of other staff members were kind enough to help ease the tension until coldrain came on stage. And then what? Business as usual? Let’s all pretend that you didn’t make us all wait for an hour for no reason at all? It was so unprofessional. Then Masato’s performance was shit. He was off key and just kept screaming lyrics that were not even screaming parts. That’s how you can tell how flustered he was. I don’t know what happened backstage but it triggered the whole band. I can sense a huge distance between the band members. No one was really interacting with one another, no one really left their spot on the stage. I mean Sugi, come on it’s Sugi! He loves doing his roundhouse kicks and interacting with the crowd doing headbang contests— there was none of that. It was uncomfortable to watch them. It wasn’t until 3-4 songs later that Masato found the bottle of alcohol that the comedy relief band members had left on the platform next to his mic as a small joke. He took a gulp of it and it finally loosened him up. He started to perform better after that, but it was still not 100%. Not the 200% I know coldrain always gives at every performance. They didn’t even do an encore.

I was completely shattered. The physical pain of my body paled in comparison to the heartache I felt. They had special trains running in between scheduled trains specifically for Blare Fest due to the 20k attendees that will swarm the train station. Because of their late performance, you can kiss all that goodbye. I got stuck at the train station and didn’t get into a train until 3 cars later nearly 2 hours after the show. I did more standing at the train station, more standing in the train ride, more running across train stations to catch 2 subways, then walking across the station to walk up flights of stairs so I can walk 3 blocks back to my apartment. I was a pro at catching trains and subways by then though. It took over 3 hours to get back and it was midnight. I had a flight the next morning at 11:00 AM which meant I had to be at the airport by 8:00 AM.

I setup Uber to pick me up at 7:15 AM. The driver didn’t speak a lick of English and actually took me to the wrong airport. I needed to go to the international airport and he dropped me off at the domestic airport. I was just way too exhausted and emotional to even panic. So I grabbed another cab and an extra $200 later, I finally arrived at the airport nearly an hour later. Luckily I left early enough and wasn’t too stressed about missing my flight. I also checked in online so I skipped a long line of people to drop off my luggage. I had an hour to kill to go buy some sweets and treats to take home to my friends and family. My layover was in Seoul, Korea and I was stuck there for 7 hours before my flight back home to San Francisco.

Let me just mention that the airport in Seoul reminded me of an American mall. They had Jamba Juice, Victoria’s Secret, all the high end names like Prada, Coach, etc. and even a Taco Bell! WTF?!! Their Orange Dream Machine tasted so artificial like slightly frozen, blended orange yogurt? There wasn’t even ice in the smoothie! And their size small was half the size of our size small haha… their large is probably our regular small. Also, airport staff was extremely rude. I snapped at like 3 of them.

Anyhow, I fly back home to San Francisco to find myself in a long DMV’ish line at customs. I was in line for nearly an hour and one of the officers took the lady and her kid in front me and also told me to come too. Thank goodness! I saw so many salty faces watching us walk over to cut in front of the line hahaha! I had filled out a customs form to declare the items I was bringing home in the airplane and dude barely glanced at it and handed it back to me? He couldn’t even be bothered with it. I didn’t care though… I was in the clear to go home! I rush through to baggage claim, found my luggage and headed towards the exit. I searched desperately for the 2 faces I love so dearly and found them waiting for me sitting across Starbucks. I felt a thousand pounds unhinge off of me.

I thought I had felt at home back in Japan. I was dead wrong. When I saw Chance and Isaac looking back at me, that’s when I truly felt at home. There’s just no place like home.

P.S. I didn’t even mention that I went to Japan with a head cold so I was coughing up my lungs half the time. I watched so many people scatter away from me like cockroaches at the switch of a light turning on hahaha… it was great! I had so much space and wiggle room! Corona Virus at its glory.

*UPDATE* A friend told me that they were having system problems on Sunday night which is why coldrain was an hour late for their set.

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Noisemaker received my gifts! I had to wait in a long line early in the morning for almost an hour at their merchandise booth to hand over the gifts to their staff selling their merch. I spent the last few days not knowing if they were successfully delivered. Alas, Noisemaker’s vocalist, AG, posted an Instagram Story with some really kind words. He is the first one of all my idols I’ve given gifts to to say that he was inspired by my work. It was very heart warming and made all the hard work and effort worth it! Every last drop of sweat, tear, even blood— all the minutes, hours, weeks, months worthwhile to inspire someone who truly inspires me. It means the world to me.

My heart feels full.

First Ever Art Showcase with RAW Artists Reflect

So I finally did it! My very first art showcase ever! I was invited to join Raw Artists Reflect Art Showcase in Sacramento, CA on 03/07/2019. I had to sell 20 tickets to the event in order to participate. I don’t pay a fee for my booth nor do I have to pay a percentage commission for any sales I make. After the 20 tickets, I get to pocket $10.00 for each ticket sold. I was able to sell 36 tickets in total.

I have been doing art since 2004 so it’s been 15 years of me doing art on and off. Everyone who knows me knows that I’ve never shown an interest in doing an art showcase. It wasn’t due to a lack of desire nor not wanting to, rather a fear of rejection and dismissal. As an artist, your work is only as good as your audience will see fit. I have always said art is so personal to me. Just the thought of rejection is so devastating I would crumble into pieces.

We had to include an artist mission statement with our display and here is what I wrote:

My name is Meks Inthavong and I'm from Modesto, CA.

My journey with art didn’t start as a child like most artists. In fact, I didn’t start until I was 22 years old back in 2004. I have had no formal training nor schooling. I am a very detail-oriented person; therefore, my artwork is also very detailed. So it was quite fitting that I would be drawn to specialize in realism using charcoal.

After 15 years of hiding, this is my very first time displaying my artwork in the flesh that is not on a virtual platform. Art is so personal to me. It allows an audience to rummage through my deep thoughts and raw feelings. Exposing the purest form of myself leaves me vulnerable-- definitely not a preference of mine. This is a true testament of my bravery in hopes that I can reach others through my art.

I have not taken a commission since 2010. For this RAW event only, I have opened 5 slots for a charcoal drawing commission of any subject of your choice. I've only given my drawings as gifts in the last 9 years and it's the highest, sincerest gesture you can ever receive from me. 5 RAW event attendees will have an opportunity to own one of my original drawings. Please come find me in my cacti dress if you are interested.

I'm also selling postcards with 5 of my own illustrations (includes a stamp), sticker sheets of all 5 illustrations, and my original designed, handmade carousel box. Each purchase comes with a free gift.

Please enjoy the free candy and grab a promo sticker for my website: desdainart.com

When I was first scouted to join, I sat on it for a couple of days not knowing what to do. I reached out to my nearest and dearest inner circle to get their advice. They all told me this was such a great opportunity and I should really seize it. It’s that fear that made me question and want to protect myself. I was losing sleep and my appetite over it. I had told myself that I will start putting my art out there this year starting with my website. That alone was a huge step. Within weeks I’m invited to do an art show? Now this would be a giant leap! It just happened so fast that I didn’t know if I was ready. After a lot of debating with my own thoughts and listening to my friends and family, I realized that I would regret it forever if I didn’t try. Besides, when have I ever let fear conquer me? So I put on a brave face and accepted their invitation.

The first person I spoke with via email was Mariah, the Curation Specialist that scouted me. She was really sweet and spoke highly of my self portrait. The second person I spoke with via phone was Sid, a Booking Specialist to book me on the event. He also gave me a lot of praises and was browsing through my Instagram to get an idea of my work. He said he was really impressed by my work and said I had a lot of talent. Finally, the last person I spoke with via email and phone was Daniel, the Art Experience Director. He was really great! He said he browsed through my profile and looked at my work, he thought my drawings were actually photos and then realized they were charcoal drawings. When I answered the phone he said that I was doing mind-blowing, high level artwork. He encouraged me to try to have some original pieces to sell at the show, but the only pieces I’m taking will be from my portfolio. I would never sell anything from my portfolio because those are meant for my son as a small legacy to pass onto him after I’m long gone— that way he will always have pieces of my soul with him.

After my phone call, I sobbed and ugly cried by myself for a good hour. It was the validation I had always craved. It’s true, I have a small following that includes my friends and family. Yes, they will always love and support me. So sometimes I question that— are their compliments and praises just love and support? Not how they actually feel about my artwork? Am I not as skilled and talented as I’d like to believe I am? I don’t want to be delusional especially with art. It’s just too important to me.

Having to hear the praises from strangers, especially strangers that see art day in and day out including an art director, telling me that my artwork was mind-blowing— I was so overjoyed with happiness that it hurt. Like a stake to my chest kind of hurt.

I had 6 weeks to prepare. I had things printed like a banner, business cards, postcards, stickers, origami paper, anything to promote my new website. I even created a brand new, special favor that I’ve designed 5 years ago, but never had the right opportunity to make it. So I spent the next 6 weeks trying to fit everything in time for the show. I also wanted to try to sell things and my friend, Keira who is also an artist, said depending on the type of crowd is how well my sales would go.

Fast forward to the day of the art show, artists had different call times to report to the venue. Of course, I was in the group that had to come the earliest at 2:00 PM and the show didn’t start until 7:00 PM. I was being obsessive and rearranging my display over and over again until after 5:00 hahaha… everyone was done with their display within 15-30 minutes yet here I am… being Meks per ushe. If Chance, my husband, hadn’t reminded me it was getting late and we needed to eat before 6:00, I think I would have spent the whole time until 7:00 just obsessing.

I did display my original drawings. A lot of people thought they were prints, but they were the real deal. This was the first time ever where people can actually see the drawings without any type of barrier. Usually people that do get to see my drawings, they’re in a sleeve inside my portfolio. I was seriously baring it all— my drawings, my heart, my innards, my soul.

One young lady asked if these were prints of the drawings and I told her no, they were the original drawings. And her eyes widened and rhetorically asked that none of these were digitally enhanced and then printed? I said these were the raw original drawings. Those are all my pencil strokes and brushes. She asked to touch them and I said be my guest! A few other people would try to look at the drawing from the side edge on to see if the surface was flat like a print or if it was raised as the original drawing. I saw a couple of people touching it and then recoiling back not expecting to feel texture. All of my drawings are safe to touch since I spray them down with fixative and fixative has a texture to it. So if you’re expecting to touch a smooth surface, it will throw you off haha…

I didn’t make many sales at all. That’s okay. What I really wanted was the public feedback on my artwork and to promote my new website. I want to know where I stand and if there is even a market for my type of art. I had to refill my business cards and many, many people took my promo stickers for my website.

The response I received was astounding and almost overwhelming. I had so many praises and compliments. So many people impressed with my artwork. People would walk by and do at least a double take even if they didn’t bother to stop. I had a fear that people would think they were photographs especially from a distance or a quick glance so I had my Kindle Fire setup playing loops of videos of me drawing. Many people stopped to watch the videos in somewhat of a trance which is exactly what I wanted. I want you to feel like you’re seeing it through my eyes.

The attendees were amazing! They all wanted to talk to me and let me know that I do beautiful work. There were even times where my display was so crowded that I couldn’t even get to my station. I had to stand back near the bar so that people can take turns looking at my artwork. I even heard at one point they were asking one another if they were the artist haha… I was way back by the bar just observing. I can see people standing across the walkway or by the bar pointing and talking about my drawings even if they didn’t approach my display nor me. Chance and many of my friends said the same thing when they would observe people’s reactions. The many that did approach my display were really mesmerized just absorbing all the details and intricacy that goes into my drawings. So many have told me I should do private shows with a gallery of my drawings.

An older couple came over telling me they were there to support their granddaughter. The lady watched my video for a few minutes and then read my artist mission statement. She teared up a bit and told me, “You do beautiful work, you have a beautiful heart, and you are beautiful. Don’t stay hiding. Don’t let this life pass you by.” She made me tear up too and her words really stuck with me.

I gave away some stickers and some art prints to those that actually stopped and talked with me a bit. Some asked what the illustrations would mean and what tools I use. They asked about commissions and if I would do tattoos and logos. A lot of questions showing that they were really interested and engaged with my work. It was exactly what I really wanted as an artist.

I really enjoyed the responses I received from the Ace of Spades staff. Some would walk by doing their thing and stop like whoa! One of them was like wow! You took a photo of Morgan Freeman and Albert Einstein? Uh… hahaha! I would talk with them a bit and give them free prints. They would then bring back like 3-4 other staff members to come check out my work and get a free print haha… it was really cool. The photographer for the event had setup his backdrop to take photos of all artists’ head shots right next to my display. He was wildly impressed and talked with me quite a bit. I gave him a free print and he was just so happy. He kept coming back in between photos to talk to me just about art and stuff since his wife also did art.

I believe the best responses were from other artists displaying that night at the event. I had so many other artists come to my display just fangirling my artwork. The cool thing about other artists is that they know what it takes to produce art and the intricate details to do hyper realism. It’s not for everyone and may not be a style you’re into, but you can still appreciate the difficulty and process it takes to produce hyper realistic drawings and especially with charcoal. Most of them kept saying how do you keep your space clean? I really don’t, I make a hell of a mess but I just make sure to clean up often so I don’t get charcoal everywhere. They all said that charcoal is such a difficult medium to work with— it’s messy, it’s too soft, the texture, it just requires a lot of patience. They are all correct. I felt the same way too when I first started using charcoal. I just tolerated the issues I had and kept practicing. Now I can’t see myself using any other media but charcoal. Charcoal is the one for me.

I love talking to other artists because they get it. My conversations with artists are way different than a conversation with anyone else. We don’t always just talk about techniques and tools or even marketing. The conversations are always about the thought process and the intimate level you have to dig deep inside in order to produce a piece.

I had left my display possibly to use the restroom or something and I walked back to find 2 musicians performing that night and a photographer just standing there staring at my display. I walk up and they asked if I was the artist. They were all blown away. The photographer said she was actually down on the ground floor and looked up to see my display thinking they were photographs. Then she saw the Edward Scissorhands portrait and was like no way, those are not photographs. The 3 of them rounded up to walk over to check out my work. One musician was like how is your thought process? Like how do you come up with these pieces like what inspires you? He said that he can hear music in his head so he would try to create it with his instruments so in essence, charcoal would be like my instrument? He nailed it! I told him all the drawings that are not portraits are my own illustrations from a car collision of snapshots, ideas, memories, thoughts, feelings— the illustration is what I’ve pieced together from collecting the debris from the chaotic scene. He was like wow! I gave them free prints and we talked a bit more about art and music. Even after the show when we were walking to our car to go home with our arms full of things we brought, I heard a couple behind us say, “Do you see those people in front of us? Her charcoal paintings are the best I’ve ever seen. Seriously, you should have won an award.” Like they even recognized us from behind! Just so many talents appreciating my talent, is beyond belief.

Many other artists also had in depth conversations with me about inspiration, different media types, technical parts of using tools and space, just a wide range of bouncing ideas off one another. It was really cool and very humbling. You can’t truly appreciate everything that goes into an art piece unless you’ve created art pieces. Everyone only gets to see the physical outcome. You don’t get to see the thoughts, feelings, obsession, addiction, both entangling and disentangling, the adding of a new physical form that becomes the art piece, but it’s the losing of one self in order to produce it. What’s created is being taken away from somewhere inside someone. Only another artist can truly understand that.

And that is why art is so personal to me.

I’ve taken away from this experience everything I had hoped for and craved. I’m so happy I did the art show and have met so many wonderful people, but the best highlights of my night were seeing the outpouring love and support from my friends and family. I was so happy to see all of you that came and the ones that were there in spirit! I feel so loved and so, so happy! I can just see how proud you all were. The pride I can see in your eyes was just unbearably heart warming. Everyone gave me hugs and told me how much they were proud of me. Even at the end of my night, we loaded the Honda and really, really sat down for the first time all night. I turned to Chance holding back tears and said, “Thank you for doing this with me.” Chance turned to me and said, “I’m really proud of you.” It made me tear up. You guys will never know how much that meant to me, how much all of you mean to me.

I couldn’t be more grateful and I want to thank everyone, especially my friends and family, that have encouraged and pushed me to be the best version of myself. The best version of myself is not the person you see before you, the best version of me is broken into small pieces I’ve left inside every art piece I’ve created.

The Things that Haunt You are Not What You Did, But What You Didn't Do

“The things that haunt you are not what you did, but what you didn’t do.” These lyrics resonate in me from the song, “The Fire” by Senses Fail. It’s always better to regret what you did, than what you didn’t do. My biggest regret to date is not ever going to a University I was accepted to and then not finishing my degree. I had so many goals and aspirations, then life happened. Regrets always resurface when I’m at my weakest during the darkest of nights. I lie awake beating myself up. The what if’s, the how come’s, the taunting words in my own voice telling myself what a huge failure and disappointment I am. These are common struggles among artists, I’ve noticed. We are so critical of ourselves and so unforgiving at times.

So a great opportunity has landed in my lap. I was scouted by RAW Artists organization to display my artwork at their Sacramento, CA showcase on March 7th. They saw my self portrait and were impressed. I’m not going to lie, it was really flattering. That taunting voice kicks in and it scared me to death. My art is so personal. Just creating this website was a huge leap for me. Now an art show? There’s no way I’m ready!

I sat on it for a couple of days and then I started reaching out to those closest to me to get their advice and opinions. Almost all but 1 person was happy for me and encouraged me to do it. This would be a great opportunity to promote my new site, my new brand, my new direction, just promote my art. So I reached out to RAW Artists to get more info and to make sure it was legit. They responded early the next morning with more details. I reach out to my inner circle again and they all agreed that it was a great opportunity. So I’m taking a second leap and have accepted their offer. Long story short, I was contacted by their booking agent, created my profile rawartists.org/desdainart and I’m officially doing my very first art showcase! My only commitment is to sell 20 tickets to the event by 7 days prior to the showcase date.

I’m still scared half to death. People say that art comes from the soul. No, not for me. Art is my soul. My soul is at stake. Just the thought of rejection and dismissal is so devastating. It would be so damaging that I don’t think I’d be able to do art again. These are true fears.

I can’t let fear win. I’m reminded by everyone around me that I’m not one to let fear ever stop me. I’m stronger and braver than I give myself credit. That may be true, but art is a whole new space-time in a realm that belongs only to me. It is secured surrounded by walls, behind locked doors, suited in armor. Just as it is secured, it’s also very fragile. It can come crumbling down with a single blow.

I was contacted by a director from RAW Artists and he browsed through my profile and artwork prior to calling me. He told me my artwork was mind blowing and my hyper realism is so spot on. He was wildly impressed and told me he has seen so many art pieces throughout the years and my artwork was at a really high level. It was the biggest compliment I could have ever received. It took every ounce in me not to cry on the phone with him that it made for awkward pauses and me rushing him off the phone haha… I kept it together as best as I can.

Once we hung up, I was on my bed ugly crying for an hour because I was so overwhelmed with pride and joy. I was so painfully happy that it felt like a stake shoved into my heart. A complete stranger that runs art showcases said my artwork was “mind blowing!” It was a pivoting moment for me as an artist. Do I stay safe and guarded continuing what I’m doing? Or do I punch fear in the face and take off running at the speed of light? I choose the latter. I will always choose the latter. Hiding is not my style by a long mile.

I am doing my very first art showcase!!!! This is my first time ever displaying my artwork in public in the flesh. No one outside of my circle has seen my artwork physically. March 7th is a defining moment for me as an artist. I get to see how well my artwork will be received and also if there is even a market for my work. I plan on selling postcards and sticker sheets to start out small.

I’m also creating a brand newly designed favor, an idea I’ve been obsessing over for the last 5 years. This is the perfect event to create them for. It’s going to be nothing I’ve done before. It will manually rotate, have lights, and of course, the compartment to hold the treats just like my other favors. I’m so excited to announce it once I create a prototype. First 20 people to purchase tickets under my name as their supporting artist will receive a free favor. I will make an extra 15 to try to sell at the show. The favor will cost almost as much as the ticket itself so this is a very, very special design.

If you happen to be in the Sacramento, CA area on March 7th, come check out my artwork in person! Who knows when the next opportunity will be. I can promise you that my drawings look soooo much better in person. Digital platforms lose the extra dimension I like to render in my drawings.

The tickets are $22.50 and you can buy them under my profile: rawartists.org/desdainart and click on Buy Tickets button under my profile photo. It is on March 7th at Ace of Spades in downtown Sacramento at 7:00 PM. There are a ton of amazing local artists in the lineup so there’s something for everyone! Come join us in celebrating art! We make the world that much more beautiful.

rawartists.org/desdainart

Charcoal Q&A's

I am the snobbiest of all charcoal snobs. If there were to be a Charcoal Snob Club, I’d be the CEO-Owner-President-Queen-Hail-Mother-of-all-the-Living-and-Dead-Snobby-McSnobber of the Charcoal Snob Club. Here are some questions I’ve been asked in the past about charcoal.

Q: Charcoal vs Graphite

A: There are 3 main differences between charcoal and graphite: 1. Charcoal is much softer than graphite; therefore, it’s messier and minute details are harder to render. 2. Charcoal is much darker. Your blacks are really black. 3. Charcoal has a matte finish. Unlike graphite’s unsavory silver sheen, charcoal will stay matted.

Q: What grades do charcoal offer?

A: A typical set of charcoal pencils come in 3 grades: hard, medium and soft and sometimes include a white charcoal pencil. Unlike graphite-- having a wide range of grades from 9H to 9B-- even the hardest charcoal is much softer than graphite 9B. I don’t really see the difference in how dark the grades are, but I notice a difference on how often I sharpen my pencils.

Q: Why would charcoal be better for me when I’m already happy with graphite?

A: I’m not subtle about what a gigantic charcoal-snob I really am. If you are textured-driven and detailed-oriented like me, then charcoal is for you. I’m not a huge fan of smooth drawings. I like texture and I like dimensions. I don’t want to see eyes looking straight at me-- I want those eyes piercing me. There’s nothing graphite can offer that charcoal could not do better.

Q: How do you build up layers with charcoal?

A: I know traditionally it is taught to work from the lightest shade to the darkest shade, but I actually like to work with mid-tones first. So I like my first layer to be mid-tones and then I adjust the shadows and highlights accordingly layer after layer. If you go to my WIPs folder, you will see that my WIPs are changing from layer to layer-- shadows get darker and darker meanwhile highlights get lighter and lighter. You keep adding layers to your satisfaction. Some parts require maybe 2 layers while others can require up to 6-7 layers.

Q: How different is charcoal to graphite? By this I mean, do you build up skin texture in one big layer? Graphite is about 5 or 6 but since charcoal is one grade, how does this work?

A: You always want to use minimal charcoal per layer. Most of my layers are applied using other tools. I hardly use pencil directly onto paper. I like using brushes or even q-tips (cotton swabs or ear buds, whatever) depending on how much and how big of a space I’m covering. I shave the lead of my charcoal using a tea strainer and then apply the powdered charcoal with a brush or q-tip. So the darker you need it the more layers you will build up.

Q: Are there any tools that are essential that differ to graphite, tortillons etc?

A: No, there are no special or different tools from graphite. I always have tortillons, brushes (round tip, flat tip, and angled-flat tip), q-tips (cotton swabs or ear buds) and tea strainer. I rub the lead of my pencil back and forth on the net of the tea strainer and now I have powdered charcoal. You may also find photos of some tools I use fav.me/d2rj9wp in my gallery. You may also use other tools for different textures. I like to suggest using certain tools for certain textures. Like use your brush for soft-feathery skin or use a q-tip for uneven dots that are perfect for pores. You can use felt, chamois, even printing paper has its own texture. Anything you can experiment with, go for it!

Q: Explain how you apply powdered charcoal using a brush or q-tip please.

A: I just take the tip of the brush or q-tip and dip it into the powder and carefully dotting the surface of your paper in a stippling motion. If you prefer to feather out with the brush to give it a nice gradient effect, dip the tip of your brush into the powder and shake it a bit to get rid of any loose powder, then go to your paper and slightly angle your brush and stroke your brush to the desired direction while slowly lifting your brush up from the paper. I found it easier to stipple first and feather afterwards. Check out my hair tutorial fav.me/d54rlpr with pictures.

Q: What's the best way to get tiny details? Or is this something that needs to be sacrificed because of the medium?

A: The only compromising you will have to make with charcoal is the mess. You will get charcoal debris everywhere. I would sneeze out black snots for days sometimes (gross, I know). Tiny details are not a problem. I’d like to fashion myself as a realism artist so details are important. You can see in my portraits that I do not leave out details. Regardless of how soft charcoal is I’m still able to render pores and thin, stray hairs. I’ll have a really sharpened pencil to lightly draw thin lines (lead barely touching the paper) or I actually use the tip of my tortillon-- you can refer to my hair tutorial fav.me/d54rlpr in my gallery . Or I draw with dots using the sharp tip of my pencil and take the tip of my tortillon to connect the dots – examples in my teeth tutorial fav.me/d3irutt in my gallery. And no, my drawings are not big. I keep my paper at 9” x 12” which is slightly bigger than A4. I like to keep a border around the drawing itself too so it’s actually smaller than 9” x 12”.

Q: Have you found a better technique to apply the charcoal - circulism or hatching?

A: You know what, I apply my charcoal mostly by dotting in a stippling motion. So if I’m using a q-tip, I would take the tip and dip it into the powdered charcoal and start dotting the tip onto my paper (perfect for skin texture with pores). I then take a clean brush and softly feather it out. I don’t think it really matters how you apply it if you’re using the pencil directly onto paper because anything you apply will have to be blended. I blend everything except for thin lines like for hair or eyelashes since those will need to stay sharp and thin.

Q: Can charcoal be erased? Does negative space work with charcoal or is some planning needed before starting a drawing to prevent the need to erase?

A: Charcoal can be lifted to a certain degree. I mean if you take the pencil and roughly darken the crap out of the paper, then most likely you won’t be able to lift it off. But if you use less abrasive techniques as I have mentioned in previous answers (applying with brushes/q-tips by dotting or lightly feathering) you can definitely lift it. I like to use frisket film and my kneaded eraser a lot. That’s how I have loose highlighted strands of hair and small highlighted pores in my drawings—by lifting the charcoal with frisket film. Just like you have to add layers to build up the shading, you also have to lift up by layers as well. So if you applied 3 layers of charcoal using your brush, then most likely you will have to use your frisket film 2-3 times on that one spot to lift off the charcoal completely. Now if you want parts of your drawings to be pure white, like the highlight dot of the eye, I recommend you mark off that spot and do not apply any layers of charcoal if at all possible. Keep that area clean. Take your kneaded eraser and/or frisket film to lift off any debris as you draw around it. They do have white charcoal pencils, which I despise to no end. I have no idea how to use it and it actually has a tint to it. It’s not pure white at all and it looks tacky, in my opinion. If you find it to be useful, then by all means use it. I’ve heard white pastel pencils do wonders. I personally like to keep my pure whites untouched.

Q: What's the best paper to use with charcoal? Does it stick to Bristol board or is a slightly textured fibrous paper better?

A: First of all, I hate Bristol board. It’s far too smooth and holds nothing in any of the media I use (seriously, how the hell do you use such a paper except for garbage). I heard using textured paper is best with charcoal. The more tooth the more layers the paper can hold. I find that textured paper overpowers my ability to render my own textures. So I like using rather smooth papers, but I don’t get as much layers as I’d like sometimes. I use Arches Watercolor paper in hot press 140 lbs. It’s smooth, but not slick smooth like Bristol board. Plus you can turn the paper over to the back where there’s a little more tooth if I need to apply more layers than expected. It’s not impossible to use smooth paper, but I would recommend some kind of tooth on the surface to start off with.

Q: How do you do your sketch to prevent the charcoal sliding over shiny graphite?

A: Graphite will leak through charcoal. I only use graphite to do my line art and that’s it. I use a 2H mechanical pencil for my line art. I lightly put down my shapes and lines and as I start to work in an area I start lifting up the graphite as much as possible using my kneaded eraser until it’s nearly invisible. Actually the charcoal pencils I use, General’s Primo Euro, will cover graphite for the most part. It layers really well over graphite and completely covers it. For my own sanity I lift off the graphite, just in case it decides to leak to the surface one day to slap me across the face. To watch a video tutorial on how I do my line art: youtu.be/wiEXW77CrgE

Q: How do you keep your drawings and area clean?

A: It's basically impossible to keep anything clean when using charcoal. I have a duster brush for my table to brush off debris. For my drawing surface I just use my kneaded eraser to lift off debris as I draw along. If I'm adding a black background with my pencil directly, there will be mountains of residue and debris-- I layer the background, then blend with a brush/q-tip and then I gently take it to my garbage can and tip the paper to the side to let the debris and residue slide off of my paper. Tip it down using the side closest to the edge to avoid having debris sliding across your whole drawing-- unless it's necessary. I like to gently tap, tap the paper to get any loose, stubborn dust out. If there are leftover debris or dust on parts where they don't belong, then take your kneaded eraser and start carefully dotting the area to lift them up. I also make a habit of taping down my paper to another piece of paper so that the back of my drawing paper stays white and clean. I buy loads of cheap gift wrap paper because they come in huge sizes rolled up and just cut them down to my liking. I lay my drawing paper on top of it and start taping off the edge of my paper using artist tape (I like to have a white border around my drawing anyway so the taping serves 2 purposes). I spray down my drawing using matte finished WORKABLE fixitive (I apply at least 3 thin layers-- you can test if you have enough layers by gently pressing your finger on the darkest part of your drawing to see if any charcoal is lifted on your finger) and once that is dried and ready then I peel off the tape and take off the gift wrap paper. You should have a white border and the back of the paper should be white as well.

Q: Why realism?

A: You know, I ask myself that question sometimes. I didn’t start out with realism at all. I was more into darker things then. I was also still young at the time. I think my work matured as I matured. In any case, I think realism is highly underrated. What I fear most is that traditional art as we know it is a dying breed. I haven’t seen many that mastered realism (especially tattoo artists) because it’s that damn difficult. Realism is very precise making it the most objective 2 dimensional medium. Most art media are subjective to the audience. Yes, you may call it “photocopy” or whatever, but there are not many artists that can do realism. I’ve also seen drawings that have surpassed photos because photos require their environment to be just right to take an amazing photo (plus additional editing). With drawing, you get to choose how to render anything your heart desires through skill and talent from hand to paper. Before you criticize, think about being constructive and summoning good advice.

Q: Any tips for realism?

A: Proportion is the fundamental key to realism. Whether the likeness is there or not, the proportions have to be correct. I think the second most important aspect is shading. Great tonal value will bring life to your drawing. I’ve seen many good pieces that could have been great pieces if they hadn’t compromised their shading. The whites are too white, the darks are too dark, the whites are not white enough, and/or the darks are not dark enough. When there is not enough tonal value, then it becomes too flat. When tonal value is too extreme, then it will not look crisp. You have to be able to balance light vs shadow. I especially enjoy the subtle shadows and highlights bouncing around faces. Remember, where there's a highlight-- there's a shadow and vice versa. Finally, do not be afraid of angles. Angles will make your drawings far more interesting. Whether it’s the way a face is angled or how a finger and its knuckles are curved in certain angles. If you can master angles, you can definitely achieve a high level of skill in realism.

Q: How do you do your line art?

A: There are a couple of ways to do your line art. I see people using the grid system quite often. I actually hated the grids when I first started drawing. It takes up way too much time and effort. I actually use the Reilly Method. Everything is a shape. I look at a face and I see a mixture of shapes overlapping and intertwining. Every shadow and every highlight is a shape. If you can familiarize yourself with the Reilly Method, then your line art will be more accurate, time-efficient and far more effective with hand-eye coordination. Sure it may look comical and discouraging at first (refer to any of my first WIPs in my WIPs folder), but I found it to be the best way to start a drawing.

Q: Any video tutorials?

A: I do have a Youtube channel: youtube.com/desdainart where I record my drawing sessions so you can see exactly how I do my drawings. None of the videos are edited and they are in real time. They are very lengthy and can be snoozers. Just sit through a few minutes of it and you'll the gist of my technique. Though I did start making speed videos for some of my drawings. The process to speed up the videos is tedious and takes a few hours for me to do. I just don't have time for such things in my busy-chaotic life. Though I've noticed the speed videos are my most popular videos.

Q: More questions???

A: Ask away! I promise I'll try to answer them in a timely manner. Try.

Charcoal, My One and Only

Charcoal is my medium of choice. I’m actually kind of snobby about it haha… I have tried several media over the years. I started with graphite and then tried colored pencils, pastel pencils, carbon pencils, just anything in a form of a pencil. I have not seriously tried painting (other than Paint Night with my friends for funsies), using brushes is a whole new level. Though I do use brushes for blending my charcoal, but I think it’s different with painting.

I tried charcoal early on when I was just a beginner, but I hated the messy charcoal dust and debris plus the squeaky noise it would make rubbing against the paper (shivers). So I kept using graphite and colored pencils for a couple of years. I hated the unsavory, silver sheen graphite would leave because it made it difficult to scan and take photos of the drawing. The darker the graphite grade, the more sheen it got. Annoying AF. Then the wax colored pencils would leave wax bloom on the surface of my drawings. If the drawing is not sprayed down, over time the wax will continue to surface to the top to leave a wax film on top of your drawing. Again, annoying AF. I tried using oil colored pencils, but I seem to like the wax pencils better. I don’t know what possessed me to try charcoal pencils again. Charcoal doesn’t have the sheen, the blacks are really black so the charcoal itself is very soft compared to graphite. The softness is what makes it really messy and the squeaky noise.

Somehow I toughed through its temperament and found myself falling in love with it. My drawings became exponentially better transitioning from graphite to charcoal. I felt I was starting to plateau with graphite and didn’t think I would get any better until I reintroduced charcoal. I learned to deal with the mess and ignore the squeaks because the end result is so much better than anything I’ve ever tried. I learned how to blend, learned how to make sharp lines, keep highlights white and light, and create textures. These skills took me years to learn, but so worth it. I like to keep my drawings soft, but very detailed and textured at the same time. I like my highlights really white and my shadows really black, but with so much greys in between to add dimensions and layers. Graphite gives me the ability to do all of the above, but charcoal will do all of the above on a much higher scale.

For those who use graphite, I strongly encourage you to give charcoal a try. Yes, it is a difficult medium to work with at first because you’re used to the graphite, but trust me— once you’ve learned its temperament, you’ll be so damn grateful. I love it so much that I’ve abandoned all other media and have no desire to try anything else. Charcoal is the one.

And if you find that charcoal wasn’t for you, hey, at least you tried something different and it’s another notch to your art experience.

P.S. My favorite charcoal brand is General’s Primo Euro Blend.

Defining an Artist

To be identified as an artist, I think seeking beauty is a start. Just having that passion and that eye for beauty even in the oddest of places. I didn’t start out as an artist, at least I didn’t think I did. I started in my 20’s. I’ve always been a math and science geek— more of an objective and logical person. Somehow art wormed its way into my life. For me, art is coupled with skill and expression. You have the skills, or learn to develop the skills, to be able to express your innermost intimate thoughts and heaviest of feelings.

That is why when it comes to someone’s art and their craft, it’s quite a sensitive matter. I’ve said it before that the creativity comes from deep within, usually from a place of hurt and pain. The irony of it is that it translates into something beautiful as an end result. Though to get to that finish line, struggles and agony had to come to play. I feel very exposed when I have my work just out there. I spent many years just keeping my work closed in a portfolio. In fact, I still keep my work in portfolios and boxed up. Only those who are within my proximity have seen my portfolios.

One of the ladies I work with told me that she feels artists are ethereal. I felt so flattered and humbled at the same time. Art has been the only thing that has made me feel whole whilst shredding me into ribbons internally simultaneously. It takes so much from inside of me to create a piece, but it’s such a gratifying release. It’s like, it hurts so good. It’s very addictive, this feeling.

I will always encourage and support art and artists. Art just has a very special and unique place within me. I would wish for everyone to find something they are passionate about to have a very special and unique place within them. Find something that sparks fireworks, quiets the voices, dims the inner demons, just seek beauty even in the oddest of places. For me, it’s truly an honor to be an artist.

What is a Desdain?

I have been working under the guise of Disdain & Despair for nearly 10 years. I went with the 2 most vulnerable words to describe the worst parts of me during my darkest hours. I feel that art exposes the most vulnerable part of a person. The artistic expression comes from deep within. I do feel very exposed when I upload or show someone a drawing. It’s like I’m letting you pick through my brain and allowing you to find my faults and flaws. That’s just the depression and anxiety speaking. I’ve always been vocal about my depression and anxiety as part of my coping. I definitely do not want them, but I’ve accepted them as part of me.

Fast forward 10 years later, I feel I’m in a different place in my life and I’ve grown as an artist and as a person. Now that I’m taking a new direction in my life, I feel I need to refresh things as an artist. I wanted to start with a new name. Something short and something that is still recognizable as me. I thought I should do a version of my original name somehow. I thought of Dis&Des, D&D, and so on. Then I thought about combining the 2 words. Dispair still sounded a lot like despair but spelled wrong. Desdain sounded much better and almost sounded like an old word that was used back in the middle ages or something.

I have always loved made up words as a name because I thought it was clever. I never thought I’d be creative enough to come up with one myself. When I was a teenager, I grew up in Stockton, CA. Stockton is a terrible place to grow up in. It’s always up there in ranking at least top 5 as most violent cities in America. Not just in California, in America. My brother and his friends would get into trouble as boys do. Vandalism was a default. One of his friends tagged under the name Kano, or did he spell it K-No? I always thought that was a cool tag name that he made up.

So that is a little background on how Desdain became a part of me. Now for a new logo. I needed something sharp, edgy, but sensual. I’ve drafted about 8 different designs until I created “the one.” When I used to do polymer clay sculptures, I would take photos of the process. They always came out really creepy so I kept one of the doll faces as my little character. I’ve named her Desi. She will stay as my little mascot character. New name. New logo. New mascot. New brand. New direction.